Sunday, February 17, 2008

Reflection on today's performance

This morning before going out to the park I doubted, why are we doing these performances? Yesterday's rehearsal had been tough, oh so cold! We almost ran back to our cars, our feet and hands no longer numb, simply hurting. Although unspoken, the doubting was palpable,


except for Noemí— she was happy, thrilled to be out in the winter sun,

and Toshi, as always quiet and present.




So today, upon meeting,
it seemed appropriate to
try to remember why
we were there.
No good doing this
without loving it.
How to turn the
doubting around,
how to reconnect
with the work?






The doubting is useless,
self-defeating. How do we
survive the hurting cold?
Move away from the pain;
use the walk to the site to
reconnect/warm-up to the
point of contact, to figure out how to
hold the branch through layers of gloves, how to move the fingers to keep the warmth flowing.




We arrive at the site, set
up the video cameras, and
begin. I so appreciate these
artists! The doubting was
discarded in the parking
lot; everyone tunes in.
Stillness. Listening. Patience.
Slow, slow, slow, shifting into
balance. Quiet, attentive, present.



The performance unfolds. Almost
immediately a woman jogging
by repeats over and over again,
thank-you! this is great! this is so
inspiring! have a great day!







Bikers and walkers pass us from all directions; they seem comfortable with us, as are we with them. We all are present, connected, calm, holding the space. The mood has shifted. No more doubting.

Sunday, February 3, 2008

How to dance with branches-- Centering, Point of Contact

This entry is for anyone who is curious about working with the branches and wants to try it for themselves. I will follow up with various entries on different practices we have developed in working with the branches.

Dancing with the branches can be a centering and aligning experience. Its really a duet between you (your awareness and experience of body/mind/spirit), and the branch, an inanimate object that was once part of a living tree and whose form is a solid manifestation of the tree's movement and flow connecting earth and light.

As with any partnership, you must be responsible for yourself. Before you start take a moment to ground yourself. Notice your breath. Gently shift your weight on your feet and sense the shift in balance through the body. Open your joints to allow energy to move through your body. Open the soles of the feet; sense the weight dropping through the legs and the feet into the earth; at the same time sense the upward thrust of gravity. Feel yourself gently poised in gentle balance.

The dance begins at point of contact.
Pick up a branch. Hold the branch. Connect with/to it. Sense it. Feel its weight. Receive its weight. Feel/see/sense--- the shape/line/flow of the branch. Allow the touch, the feeling in the hands, the shaping in the hands, the reception of the branch's weight and your awareness of line and alignment to resonate through the rest of the body. Notice how each action or response triggers a whole new set of actions and responses. Slow down. Soften the touch. How softly can you hold it? Cultivate awareness.

A dance emerges. Let your body shift as you balance your body to match the touch. Ride the shifting energy(ies). Ride the edge of balance.


Take your time. Stay with/savor/enjoy the experience. Allow the dance to take you where it will.

Wednesday, January 30, 2008

More photos of Jan 27 performance

It turned out to be a glorious winter day! The forecast had been for cold wet snow. The day before had been overcast and cold. Knowing how slippery it can get when its wet, especially on the stairs down to the waterfall, and imagining how awful it would be if someone hurt themselves (even the most experienced outdoors people can slip and sprain an ankle in this sort of terrain) I sent emails telling people to wear water and skid-proof shoes. I believe I may have scared audiences away, as not too many showed up. I have to remind myself that this is OK., part of the process. Thanks to all who did show up! Your energy was peacfeul and attentive. We felt supported and appreciated.

As it turned out, it wasn't too cold. The temperature was made more bearable by the warmth of the sun. The light brightens the spirit.


Above & below: Shavon on the edge



Above: Toshi uses a fallen tree as his musical instrument.
Below: Toshi plays the bowls

Above & below: Jumatatu lunge and arch
















Above: My son Gabe on the ice

Above: Olive in the foreground and Shavon accross the creek

Olive curls up

Balance

Photos by Pepón Osorio and Gabriel Osorio-Soto

Inconspicuous: Noemí Segarra reflects on the performance Jan 27

Noemí Segarra posted this reflection on Sunday's perfomance:
http://meriansoto.blogspot.com/2008/01/todays-performance-is-on-1030am-livezy.html#comments



inconspicuous

today's performance



my placement

the gatekeeper

by the road

all about

containing

aligning

centering

observing & taking into account

the whole

the pathways

possibilities

the juncture

elegua



align

architecture in motion

minimal

sublime

less



hold the space

hold

wait

felt warm

cold permeates as soon as we stop

don't want to stop

don't want to end

the heat

internal

of the moment

of performing

of concentration



the flight of time

when all in de moment

bells & sounds intercepting

and containg / framing

giving us markers

immersed


inconspicuous



Thank you Noemí!
Photos are by Pepón Osorio

Sunday, January 27, 2008

Thursday, January 17, 2008

The Winter Cycle Begins Jan 27 @ Livezy Waterfall

The next performance will be Sunday Jan 27 at 10:30 AM at Livezy Waterfall. The easiest way to get to the site is entering the park at Valley Green and walking south on Forbidden Drive. The site will be down to your left.

OR--- From Henry Ave enter and park at Pachella Field just across Livezy Ave. Follow the path into the park. Go north-left on Forbidden Drive. The site will be to your right.

I am looking forward to the performing challenges the winter dances pose. An important issue for us is always, what to wear? Audiences too should make sure you check the weather and or the blog first and dress appropriately as the cold can be very intense when you are outdoors for a long time. Waterproof and skid-free shoes are a must in inclement weather especially as you will have to walk a ways to get to this site.

Monday, December 10, 2007

Photos of yesterday's performance

Olive Prince on the bridge across Mt. Airy Ave path. Photo: Deanna Bond.

Yesterday was the last performance of the Fall cycle in the One Year Wissahickon Park Project. Thanks to all who attended. The cold and rain make it less appealing for audiences to come out. We too long for the sun. At the same time dealing with the cold and dampness pushes us to go more deeply inward in the performance practice. One has to move into the center of the body, more finely and specifically.


Olive Prince and Shavon Norris. Photo: Pepon Osorio

Jumatatu Poe. Photo: Gabriel Osorio-Soto

Shavon Norris. Photo: Pepón Osorio

Merián Soto. Photo: Karen Bond

The Path. Photo: Pepón Osorio

Olive Prince. Photo: Marcelo Osorio-Soto

Noemí Segarra (center/red) and audiences: Photo: Karen Bond